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WALKING THE BOUNDARIES I This is the season of the scent of cool, smooth stones and warm flowers; fog takes color to a higher power. As spring moves North, it’s time I went to walk the boundaries and find the markers. Underfoot the land holds harder; I can shoulder tools and all and not bog down on the long haul. I’ll paint the gates eat up with salt, though all my labor lacks the power to change what’s lost if only by default. Still, this coating colors and conserves what’s ours. Now a frog plucks an untuned string; listen for the tree speech shouted down by history. And consider the artful things: estranging fences of the mind, the battlement’s frown. II But boundlessness is nothingness; it is death, the loss of self, identity, and meaning and a wealth of borders we recross and bless. They mark off safety from uncertainty, and sameness from what hope there be, the past from future, freedom and confinement, ends, beginnings, lands of What-There-Is and How-It-Is. There must be a place from which we turn and we must know just where that haven is, some native country of those who died and the way we were. I wonder what the landscape of the soul might look like. Certain painters have invented horrors, attics littered with broken toys once dear to someone. May mine seem this home of my contentment. III Auden knew about walls; “All is silence on the other side of the wall.” Traffic, even rioting can go on, but we hear only silence. Imagine a swan, a lake, another garden and another. That is what walls do: invent the other. Education uproots us from our gardens, and advancement often comes as exile. Some decide who we had better (or else!) pretend to be or lock us out for who we are; a culture like an aggressive growth chokes what was ours. Or layer enclosures one above another by some hierarchy, those above believed too easily, those others lower martyred as outsiders, but nobody loved. IV The sourpuss pose of teenaged Marines stares back at us in any box we’re bunched in: subways, busses; it’s seen in elevators, anyplace where looks are barricades and we pull in our feelers. Going places en huit clos stops wheeler- dealers, captured in a frame as still life. Don’t you like your name? If not, be sure you’re not the only one who needs to hide because he cannot run. Bounded like a chessboard, games we play say, “I am safe and sane like you, not stowaway.” So join the club; a membership includes scapegoats to order when too much goes wrong. The better climbers reach the top as Judas sheep, survival threatened such that self is the toll. V At the station, once I saw two young Muslim sisters, heads heavily swaddled. Below, the elder yawed about in skin-tight silks and suedes. The younger, innocent, was still cut off at the neck by a shirt proclaiming, “Soccer is life.” Or the fault expands between nations or men. Both swimming teams would bless themselves and kiss their St. Kit’s medals when we were in school; one always lost. To fight for one’s own city was held just by the ancients; but loyalty will lose her virtue peddled as the property of state. Still free from nationhood, all Europe once was bright, traversed by flowages of boundless peoples til a darkness brought the wrong of being always right. VI I think that places have a temper very much as people do. One burns witches, but another trusts your choice of what to brew. A place that always draws us has a face, and it is ours. Rich neighbors mark their space with KEEP OUT signs that tell us, “Touch-me-not; you don’t belong here; I belong to nowhere, having nothing that can move you but the power to deny.” When I was young in Beantown, the old black guy across the way raised up a glory of roses, proved from sooty soil within the chainlink fence of his landlord. He gave tours to passers-by; “This is Lincoln, this is Peace.” He’s died, his garden under the expressway. What he gave, we possess. VII Once as I rode North through the mess of shapeless suburbs, I glimpsed a man engaged in sweeping all around the plan of his place as if by touching he impressed the order he had made there. When I call to mind his white cape cottage, snugged in shawl of deepest shade, its black box glossy by the fast road’s filthy squall, I think of why we make these tidy plots that nap along the highway ours. They put us on the map. Or, dispossessed of self-made lien, we choose to enter on a scene set for further acts of history. What’s harder is to dodge the high-rise den in hive aswarm with little lives. On treed estate or storied part of city, a trust descends. VIII In the cabin I loved best, there were no finished walls and ceilings. Useful beams and pipes turned to the guest a rugged, much-loved face’s healing look. A mother coon and her brood tumbled from the cupboard when I moved into her home. The light tubes sang when the gale called out to them, and always, always salt on everything. Oh, where did nature’s and our world begin and end? Surely, not with a wall. And what of that island place whose ample tides can bring a deeper understanding of transition? We, remote as continents, discuss how much gets left behind by repetition – on the edge, where only birds cry to us. IX What courage is required to take one’s life and give it up to some cold specialty- like trying on a coffin just for size? If managed lightly, humbly, wittingly, we must be grateful; thank you, Mr. Roget! But Arendt’s tight-closed system mapped all ways through every country of conception. Sympathy was an exception, hence impossible- where only it would do. The limits worth their keep are there to be transcended; poetry that breaks the language barrier says more than it meant. Yeats’ dancer dances, sheepgut undergoes unchanged that change to music contemplated with passion by the Bard, the new estate springing from another look at what we know. |
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